In the mid 1980s, two young women-Caroline and Bernie-meet for the first time in an Upper East SideÂ church in Manhattan.Â On the same day, they are delighted to also meet Will, the new seminary intern, who happens to be a handsome, charming Princeton graduate. The twoÂ women and the intern become fast friends and unbeknownst to the women, the two younger gals each become romantically involved with the intern, who is of questionable character.Â When the possibility of a public scandal arises, the three act out as the worst of us would. Â One of them commits a crime within the walls of the church. Friendships, trust and hopes fracture as each characterâ€™s inner voice tries to steer them through this turning point in their lives. Â
The play contains strong language and is not appropriate for youngsters.
As a rural southern playwright, I am often isolated from the most vibrant theatre artists in the country even though I previously lived in New York for over a decade and currently work remotely with a New York based collaborator. For the past few years, I have relocated to Chicago for a few weeks each summer so that I can participate in Chicago Dramatists programming, and that has been enriching, but I always return to my nest in the country feeling detached
The beauty of getting older is that you donâ€™t have to deal with men hitting on you anymore. The sad thing about getting older is that you donâ€™t have to deal with men hitting on you anymore. Donâ€™t get me wrong. Although I had a few â€œlife of the partyâ€ moments in my youth, I was never, ever the long legged filly that all the colts were eyeing for a date. Still, when and if a gent did ever throw
San Angelo is little university town deep (very deep) in the heart of the heart of Texas. Until last week, I had never even heard of it, but since I was invited to go there, I went. Why? The Kennedy Center American College Theatre Festival held its regional gathering and I was invited to attend along with a group of Southeastern Louisiana University students who would be performing pieces from my first musical play, High and Mighty. How could I
Donna Gay Anderson is a playwright/lyricist whose career path has always been forged by love for the stage. Her mother was a director, so her earliest memories are of theatrical rehearsals. She worked as an actress before accepting the position of Director of Children and Teens Division at Gilla Roos Talent Agency in New York. Later, she taught theater at the high school level before becoming Director of Columbia Theatre for the Performing Arts and its annual festival, Fanfare. Donna Gay is the author of High and Mighty, a musical which debuted in November 2015 at Southeastern Louisiana University, and also received multiple awards of recognition at the Kennedy Center American College Theatre Festival, Region 6. Â She was the first place winner of the So You Think You Can Write, One Act Competition in 2016 for Blues, and was a finalist in the one act play category at the Tennessee Williams New Orleans Literary Festival 2016 for Shrimp and Crab. Other produced works are An Act ofCharity(New York) and Formula One(Louisiana and North Carolina) and Red Red Wine(Louisiana). Her work has been presented in development at the First Draft Series at Chicago Dramatists and also by the artists from Kentucky Shakespeare in cooperation with Spalding University in Louisville. Donna Gay has served as a contributing writer for Dramatists Magazine and MusicalWriters.com. She is the founder and facilitator of The Neighborhood Book Club (theneighborhoodbookclub.com), a weekly book club program for young girls.
She holds degrees from Southeastern Louisiana University, The National Shakespeare Conservatory and Spalding University, and memberships at Theatre Communications Group, Dramatists Guild of America and Chicago Dramatists. She and her husband, Tom, live outside of New Orleans with any neighborhood dog who wishes to spend the night.